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Introducing Pronology mRes

Multi-channel, multi-codec, real-time live recording with frames rates of 23.98 – 60fps up to 4K. 100% resilient and fully compatible with Avid / Adobe, we’ve had them for a while and have been putting them through their paces. Rackable, stackable and scalable, they offer a cost-effective alternative to our incredible EVS IPD-VIA and EVS XS-NEO offering and are now available!

"Having worked with mRes several times before, it was a obvious choice when identifying new solution for clients looking for a more cost effective workflow compared to our leading EVS solution. Myself and the rest of the team have spent several month putting the latest versions through their paces and doing production comparisons and we are excited to now be able to bring this into our rental stock" - Rob Whittock

Information from Pronology:

Why it works
We know the requirements: the post department wants one codec, the promo group wants another, and the online team wants something small and fast for publishing. mRes creates them all in real time—or faster—for simultaneous delivery to everyone in your pipeline. And because mRes recording is always on, you can recover footage at any time, even after the fact: just type in timecode from the past and create new clips from the uncompressed master. With a simple, easily configurable interface that is ready to go in minutes, mRes was uniquely developed to handle some of the most demanding workflows in today’s fast-paced, tapeless production environments.

Key Features
- No loss of quality, content or metadata, ever: mRes makes a full uncompressed copy locally to the recording server and writes all compressed files to any external storage you choose
- Ingest multiple formats and frame rates to various storage targets simultaneously
- Record multiple codecs — including uncompressed, AVC-intra and various flavors of DNxHD and ProRes — simultaneously in real time
- Use timecode to create new clips from the uncompressed master
- Supports frame rates of 23.98fps to 60fps and up to 4K resolutions
- Compatible with Avid Media Composer®, Adobe® Premiere® Pro CC and Apple Final Cut Pro®

Benefits
- Easy-to-use interface that’s scalable from one channel to many
- Never miss a recording: recording is always on and clips are instantly retrievable through timecode
- Configurable in ten minutes or less
- Simultaneously supports multiple video codecs with real time or faster compression
- 100% resilient to media storage and network inconsistencies

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Introducing Pronology mRes

Multi-channel, multi-codec, real-time live recording with frames rates of 23.98 – 60fps up to 4K. 100% resilient and fully compatible with Avid / Adobe, we’ve had them for a while and have been putting them through their paces. Rackable, stacka...

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